Unlike Lightroom, Aurora HDR also allows you to work with layers, masks and blending modes à la Photoshop. There’s even a histogram at the top (which I find very useful). The adjustment panels run down the left-hand side and many of the initial sliders are exactly as you’d see them in Lightroom.
The first thing that both novices and experienced photo editors who work in Lightroom will notice is that the interface seems quite similar to Lightroom, though much sleeker. The UI is sleek and intuitive and the controls handle a bit like a race car – just the slightest adjustment creates substantial results.
DYNAMIC PHOTO HDR VS PHOTOMATIX PRO SOFTWARE
On top of that, Aurora is also far more powerful and pleasant to use than any other HDR software I’ve ever worked with. Not once have I ended up with halos or fringing. In addition, the ghost reduction is impressive and the color denoise and chromatic aberration reduction really works. There’s far less noise in the final image and considerably better tonal blending. (It was certainly better than anything I’ve ever done in Photomatrix Pro). I’ve run a number of my old sets of bracketed exposures through it, and the opening image is often (though not always) far superior than what I was working with in the 2018 version or in Nik’s HDR Pro.
Aurora HDR 2019 uses AI in their new Quantum HDR engine, and the results are excellent. The superb ghost reduction in Aurora HDR 2019 made the edge of this wave look realistic | 1/6 f/8 ISO 100 | Sony a7III + Sony FE 16-35mm f/4 ZAĪll HDR programs have their unique way of merging photos.
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